|
|
Chalk Hill Media's Virtual Museum |
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
The Virtual Audio Museum
This page features
mixers, studio gear, odd broadcast items, and other fun but bulky
oddities from the past.
Raytheon Portable Remote mixer for broadcast.
RCA Broadcast Console
RCA OP-7
Webster Chicago Wire Recorder
MagnaTech 1" Eight
Track Recorder
Ampex AG-440's
ADM Recording Studio
Console
Scully 280 Series 8
Track 1" Recorder
Tascam Model 32
Collins 212F-1 Broadcast Console. We were recently given a second one which is much nicer.
Yamaha PM-1532 Mixing Console
Ampex 600 Full Track Tape Deck
Quantum Audio Mixing Console
CBS Labs Stereo Volumax
This GE audio console came with our DuMont Telecruiser. It is early 1960's vintage and one of the first consoles to use linear (rather than rotary) faders. The strange thing is rather than using a conventional fader like we do today, these faders were actually a ladder of resistors which controlled the brightness of a small light bulb. This light bulb was mounted into a small cardboard tube with a photocell at the other end. The photocell actually regulated the volume as the lamp got brighter or dimmer. There was a very noticeable time lag when you brought up a fader, before the audio gain would change. This made precise gain riding very difficult.
A pair of RCA RT-21 tape decks. One of the record amps can be seen to the left below. Operators loved these decks because they had a "Jog-Shuttle" knob. It makes cuing tapes a lot easier. That idea was quite ahead of its time.
|